Sunday, December 30, 2012

Death and A Double Tragedy: The Failures of Talk Radio


[This is a reposting of a submission to the Franklin Pierce University "Pierce Arrow" blog, posted originally on Oct. 15, 2009]

The following entry is written to help us gain perspective on some of the media communications concerning the recent, horrific crimes perpetrated in Mount Vernon, New Hampshire.  It is shared with you to contribute to a larger discussion that exists and should be engaged on a wider basis about media and violence and how we engage the very important issues of violence, crime and youth in this society.  It has been written knowing that this event is still fresh in the hearts and minds of people not only in the communities of New Hampshire, but all over the country.  Communities, families, youth and individuals are still shaken, questioning their safety, their family security and their lives.  It is out of respect for these communities, families, youth and individuals that this entry is submitted for public review.

This writer is aware that this situation is still fresh in our consciousness and emotions and that the issues that arise from it are important to have in correct perspective.  This discussion about the media handling of this crime is considered key in our on-going search for clarity, resolution and healing.

~~~~~~~~~~

It happened a couple of sundays ago….and became the talk of the region and beyond.  A “home invasion” planned and executed by four teens in New Hampshire, raising so many important issues of life, death, safety, class, youth, eldership, respect, gender safety, gendered violence, parenting, schooling, community, isolation, culture and more that eludes my consciousness at this moment.

The Keene Sentinel, in their Oct.8 edition, reported how fear has changed to anger in the community, how, at least from one person’s view, “..it’s just pure evil.  There’s no explaining it” (page 6).  Another story presented the “what ifs”, questions of the closeness to other families and homes, the unbelievable nature of this sort of violence in this sort of neighborhood.

Tragedy of this sort is devastating and life-altering among many other undesirable things and calls for clarity, understanding, communal embrace, patience and a rededication to compassionate ways of thinking and cultural production.   Tragedies such as these call us to look deeper inside ourselves to find not only the sources of these pathologies, why they exist in some and not others, but also to find the cultural practices that remediate and decrease, if not extinguish,  these abominable acts.  These tragic occurrences, that rend heart from heart, family from family, wife from husband, sanity from mind, challenge us to the core of our being and ask us to deepen our embrace of all that is good, right and loving in us and in the world.

We have seen countless numbers of situations from the Manson killings to Columbine to Virginia Tech, to Mount Vernon and so many other places and situations, where we are deluged with story after story about “why” and “how” and the human cost of murder.  The media have provided us with information, perspective (to some degree) and statistics that at once assuage our fears and feed them, too.  Particular dialogues and commentary in recent talk radio have created a dynamic that makes this recent local New Hampshire tragedy doubly reprehensible.

As I drove back and forth to the university last week, I scanned a few radio stations as usual on my ninety minute trek and was challenged by some of the problematic commentary from WTKK 96.9FM.  The discussions seemed to raise so many questions, suggesting so many of the underlying problems of a society out of touch with its own humanity, yet afraid to look itself in the mirror for clarity and honesty and the hope that grows from an intimate knowledge of the resilience of the human spirit.  It seemed that in the face of tragedy, talk radio was unwilling to be a real resource, relinquishing what I would call its responsibility to be a voice of reason, strength, maturity and hope.
So many things were said, but touched on in shallow form and content, seemingly as if they knew not of what they were talking about.  Issues of cities vs. the country/suburbs and what our expectations were of these geographical icons, issues of class, implied race,  capital punishment and parenting all came out in a confusing collage of emotional melodrama that at times chafed in juxtaposition to ads for bedding or hot-tubs or some such product.
Statements made on different days by different hosts seemed to validate the same message of emotionalism and sensationalism beyond compassion, of individualism beyond communal embrace and quick, violent reactionism beyond that clarity that comes from true introspection.
On October 7, while listening to Michele McPhee’s show, grand statements were being bandied about vilifying “shoddy  parenting” as being the cause of the four youth embarking on their violent excursion.  Through caller after caller and in her long tirades (well-matched to the horrific nature of the subject), the story of the failure of the suspects’ parents was told over and over.  Through the hours, the story deepened as new ideas about why the parents of these four young men and many parents in general fall short of even modest expectations for what is necessary to raise a socially-stable child.  There were more indictments than solutions, it seemed, as the stridency of the discourse narrowed the  possibility for real understanding and engagement of a core problem in USAmerican society – the support and development of youth in this culture.

Further into the evening’s exhortations, a 19-year-old woman called in, claiming to know or know of one or more of the suspects in the murder and assault case.  This woman, named Sarah, reported that one or more of the suspects had been seen days before the crime with newly-shaven heads and shouting “free Manson”, a reference to Charles Manson, a famous (infamous) and convicted murderer still serving time in prison for his crimes.  After claiming “breaking news”, McPhee correctly asked about the responsibility of the school in reporting such behavior in a world now informed by the dynamics of such events as the Virginia Tech and Columbine shootings.  McPhee correctly pointed to the necessity of communal diligence in the face of such pre-crime behavior, cleanly missing the point that she was beginning to contradict her earlier statements that this kind of crime was solely or mainly about shoddy parenting.  McPhee was now suggesting, and rightly so, that there is a larger social responsibility in being able to monitor and mediate such anti-social behavior, especially where there are gross and outward displays such as those reported by Sarah.  Caught up in her own momentum, it was apparent that clarity was giving way to narrow-minded sensationalism.  It always feels good at first, but never produces enough of anything good to move us beyond the emotionality of our own pain.  And pain is what we should feel when someone is killed, when ANYone is killed.

Which raises another issue embedded in the histrionics of the show.  There were many statements made by host and caller alike of the “unbelievable” nature of this crime.  This kind of crime doesn’t happen in places like Mount Vernon.  Clearly, this kind of crime is not endemic to Mount Vernon or other small towns.  The assertions came through that violence was not a product of country or suburban life, that violence in urban areas is one of the reasons WHY people move to places like Mount Vernon or other rural or small population communities.  Inherent in this type of account is the suggestion that crime and murder lives and breeds and belongs in cities, not like Boston (still a parochialized, balkanized and idealized municipality), but like Roxbury and Dorchester, like Detroit and Newark and Southeast Los Angeles.  Nowhere in this broadcast was there a clear critique of class and race that would have led us to a better understanding of the dynamics that actually create crime and violence and why crime and violence SEEM to be so prevalent in some areas and not in others.   McPhee and others suggested that there was no connection between the crimes in Roxbury (talk of which seems to be relegated to 1090AM) and that in Mount Vernon, that these crimes were urbanized, other-ized types of crimes that just don’t, can’t and shouldn’t happen in their midst.  There was a suggestion that different kinds of people, different than McPhee or her listeners, commit these crimes, that these suspects were merely and heinously thugs that have no social or private history or precursor, but their own evil lives.  These suspects are connected to nothing, but themselves and at best they are exhibiting behavior that, in essence, belongs somewhere else….somewhere more crowded, dirty, with less trees and less people who go to parent/teacher meetings and Whole Foods stores.

What McPhee and her show were communicating and cultivating was the idea that these crimes happen in isolation of the larger, prettier, more well-veneered society.  McPhee and her callers refused to engage deeply the inter-connected nature of urb and suburb, the connection of youth to adult and that the failure of  a set of parents is a failure of the community of parents.  We take credit as a city, state or nation when we look to our own wealth, opulence and material comfort, how many Lexi or Prii we have in our driveways and the sanctity of our greenspaces and cleanliness of our streets.  We claim that communally.  It is a part of our national jingoism, our fevered and immature patriotism in the face of the international mirror, often held up to us by the fingers of “third world” hands or the walls of “developING” nation political structures.  When we see the social structures fall apart in these difficult and painful ways, we rarely take it on the chin as a national pathology or even a localized , but, if not epidemic, then endemic disease, at least from the standpoint of what is said in the media.  The show made no suggestion that when OUR children CONTINUE to display anti-social and dangerous and pre-criminal or pre-dangerous behavior, we ALL have a responsibility to notice, report and address these issues BEFORE they become criminal and dangerous and horrific.
McPhee’s statement that the crime had “nothing” to do with video games, television or even society itself is short-sighted, narrow, misleading and without the support of well-known research.  Though cultural production such as television programming and video games do not directly cause (generally speaking) crimes and violent behavior, as powerful effects theorists would suggest, they do contribute to cultural and personal beliefs about violence and crime, of gender, race, class and access, of personal and social expectation, to our levels of self-esteem, agency and ability to project ourselves positively or negatively into our lives, communities and futures. The violence and anti-social behavior which seems to drive television programming and many popular video games informs us and validates ways of thinking and being in the world, creating cultural space conducive to such behavior.  Though there may be no television shows regularly lionizing Charles Manson, you can not get through one night of prime-time programming without hundreds of violent and anti-social acts across all the available channels.  When I ask my students of media studies and history what the predominant communicative icons of peace and love are in the media I am met with the same stark silence each and every time.  Our culture validates the presence of violence in its midst and its dominant media are the standard bearers of this presence.

On another note, the presence of the extreme validations of violence can be easily seen in a music industry that regularly supports violent and anti-social concepts in its lyrics.  McPhee was notably surprised to learn of the presence of “horrorcore” rap, a musical phenomenon that aggrandizes concepts of violence, death and gore and reported as a form of music listened to by the Mount Vernon crime suspects.  Brought to the forefront by another heinous crime allegedly committed by one of horrorocore’s adherents, Syko Sam, a Washington Post story about the crime highlights the “us” and “them” discussion that plagued the talk radio landscape here.

“FARMVILLE, Va., Sept. 23 — The town is what its name suggests, a little crossroads burg swaddled in crop fields and pastureland for miles around. God and country-western span the radio dial, the main street is Main Street and the barber sells Lucky Tiger flat-top wax.

Folks in Farmville figured that the town, population 7,000 or so, was their haven, an oasis of quiet sanity in what a lot of them think is a mixed-up, gone-to-hell world. That was before a 20-year-old Californian, a rapper of luridly violent lyrics who billed himself as Syko Sam, alighted in their central Virginia community last week.”

(http://www.washingtonpost.com/wp-dyn/content/article/2009/09/23/AR2009092304781.html)

The iconic descriptors of “little crossroads burg swaddled in crop fields” and “pastureland” and “main street is Main street” and “God and country-western span the radio dial” suggest that those of concern in Farmville didn’t see this one coming.  With all due respect to all of Farmville’s citizens, it seemed as though it would have been extremely difficult to extricatethemselves from their own cultural momentum to see the onset of such a horrendous occurrence in which four people were bludgeoned to death.  But someone in Farmville invited Syko Sam into their “oasis of quiet sanity”.  And it seems it was their youth.
Neither Syko Sam (officially named Richard Alden Samuel McCroskey III and reportedly  from California) or the four youth suspected in the crimes in Mount Vernon created horrorcore rap or the idea of murder, but those ideas lived strongly enough in the core of our young minds and hearts in these country oases to manifest themselves in the hands of their youthful perpetrators.
What the above iconic descriptors also suggest is that the people in these communities and beyond expect that crime belongs more comfortably somewhere else and that, at least as far as the WTKK talk shows are concerned, there is no credible connection between the communities that the crimes happened in and the suspected perpetrators who lived in those communities.  There was in no plausible way any culpability on a larger social level for the creation and support of people who might do horrendous things such as these. The problem here, from the media’s standpoint, is that the discourse leads us to scapegoating and disconnection, rather than to a place of introspection and social responsibility, where the initial impulse beyond our natural and correct reproach of the behavior is remedial on the larger scale as opposed to punitive in the narrow scale, as indicated by McPhee’s call to put these young men to death.  Admittedly, those same impulses to murder those young people might exist in us all and the feeling that we should is supported by our deep sense of hurt in the face of unconscionable acts such as those perpetrated in Mount Vernon, Farmville OR “inner-city” ANYwhere.  We can kill these young men tomorrow, but will we have figured out what the pathological precursors are that exist in our society that validate and support this behavior beyond our own ability as intelligent, somewhat empowered and concerned adults to abrogate?  What, in our hearts and minds and intuition and research and spiritual knowing, is the key to preventing such growth and development of anti-social, anti-human and anti-life behavior by these or others so that this will not happen again or with such frequency?

These were the questions never asked by McPhee or Jay Severin, the next day.
Severin, host of a wildly popular talk show on the same station, did ask his callers to weigh in on the issue of capital punishment.  It is an important question, given that we, as a republic, execute many convicted criminals each year, so as a national aggregate, as a set of states “united”, we condone such behavior.  This sort of legally-sanctioned behavior ought to be looked into with patience, tenacity and diligence.  What if we find that our legal support of capital punishment is connected to the inference that violence is a practical and functional way of getting your national, state or privately-defined needs met?  What if?

Executions assuredly stop the back end of the crime.  That is clear.  That person can never commit a horrendous act again.  That is key to the discussion, but the larger issue is not the stoppage of the commissions of further crimes at that point in the continuum.  We have the technical ability to end the lives of every person in prison and beyond (weapons of mass destruction notwithstanding….and is the support of such creating socio-political culpability in the cultivation of violence in USAmerican life?), but when do we dedicate ourselves to eradicating the presence of violence in other pre-crime areas of cultural life and production?  When do we stand up as men and women and community and decry the high incidence of domestic, male-gendered violence and abuse and stop it?  When do we stand up as men and women in community and decry the high incidence of sexualized violence against children by men (predominantly…remember that even in the Roman Catholic church, where we also never saw the violence coming, it was priests – men – who topped the criminal ranks) and stop it?  Must we keep in mind that even McPhee and Severin would agree that victims of such heinous acts are indiscriminately peppered amongst the “criminal element” that lives and breeds ‘somewhere’.  So where in this talk radio melee do we come to clarity or true resolution?  If children are the fruit of the adult tree, how then do we conveniently assert that the youthful committors of heinous crimes have no connection to the tree that created that criminal fruit?  No, McPhee and many gate-kept callers did assert the culpability of the trees from which those four errant fruit fell.  The underlying and unstated problem truly lies in the nature of the forest.  If those young men or boys are “scum” as Jay Severin called them, then what does that say about the culture from which they come?  Is there no connection betweeen one tree and another? Do not their roots comingle in the social amalgam?  It is my assertion that we have a lot of root work to do and that, at least in these situations, for this story, talk radio failed us in getting to the root of our social responsibility, our own necessity to not only engage punishment, but engage youth and life and truth and how to support it and grow it in our young people, in their very spirits, beyond strident exhortations of being the “best and brightest”.  Do the “best and brightest” have no responsibility to the youth of the city, country or state or have they earned the right to sit in veiled conceit beneath their “Severin doctrine” laurels. If they do (and they don’t), then WTKK, McPhee and Severin owe them more than verbal banner ads for emotionalism and social separatism.  These subjects and stories and issues deserve more than passing disconnection driven by the need for higher and higher ratings.  Since when has advertiser satisfaction transformed itself into social invulnerability or safety from crime?  Not only the nature of the talk radio discourse, but the very nature of media-conglomerated and corporate, advertiser-dominated media are in need of real critique and overhaul if we are to seriously address the informational and emotional and social needs of a society that is still plagued with horrific and horribly frequent crimes like these that happen everywhere and, yes, anywhere.  It is not because these crimes only happen on the south side of Chicago, not because they just can’t or shouldn’t happen in Gloucester (as McPhee suggested in reference to another youth-crime), but because they happen AT ALL.  And these crimes are happening everywhere.   And if we are truly caring, intelligent and concerned adults, then we take responsibility for youth in our midst and beyond our midst if we hold the truth to be self-evident that this is a great nation.

We are a dysfunctional national family at best…but not without hope.
Talk radio, in this instance and many others as I have noticed on that station and not, has shown a keen ability to narrow discourse and breed a support of parochialism far beyond that of normal men, but who, in the guise of the talk show host, bring us  to a point of witnessing here, in the handling and packaging of this very difficult and painful story of death and the destruction of life, security, safety and happiness – and youth – a double tragedy.  We are witness to an awful commission of criminal behavior that behooves us to support the victims, family and friends with renewed and deepened compassion, love and vigilant engagement.  They are deserving of that as any victim of such a crime would be, no matter where they live.  We are also witness to the tragedy of a communications medium format that seemed unable to truly provide a deeper insight into the human dynamic of violence beyond their own predilection with feeding into the negative emotions that understandably surface when things of this nature occur.

The narrow discourse of this brand of talk radio obscures the growing presence and importance of rights-of-passage programs, youth leadership, spiritual and cultural intiation programs that immerse youth in the understanding and manifestation of the interconnective nature of human life and life beyond humanity, to all that is.  We don’t hear about men creating men from boys, women creating women from girls, adults in vigilant leadership in their communities supporting concepts of communal respect and personal responsibility beyond mere civics and citizenship.  Programs like the Sacred Fire community and the Rights of Passage Council and the work growing out of the programs of East Coast Village, amongst many others, many following forms of time-tested, indigenous cultural tradition that help youth (and adults) not only understand themselves better, but their place in the world, their communities and society at large and find a validation of their personal gifts, a real way to be seen and supported and then provide support as a caring, loving and empowered member of communal society, the goal of any enlightened nation
How talk radio has packaged this issue raises contradictions that exist between what is real and what we are comfortable with in our minds.  The contradictions in the apparent safety in the “country” or “suburbs” vs. the problems ‘inherent’ in the cities, “inner” or otherwise, obscure the responsibility that the society has in creating the very cities that it decries in its media.  This society created the cities and the kind of violence that cities and our deep-seated social pathologies engender.  It takes no newspaper reporter to know that those who support the social structures, corporations and cultural ideologies that create and support “city” or urban areas live in small towns and country homes, away from the hustle and bustle, nestled in their “oasis of quiet sanity”.  A focus solely on parents belies the reality that solutions lie in the communal dynamics of the society, not merely the personal family functionings of any young man, though the nature of such is important and undeniable.  If we simply kill those boys-trying-to-be-men, we will kill our very own consciousness of the resilience of the human spirit and consciousness of our neglected responsibility for youth and who they eventually become, not only as parents, but as interdependent, communally-empowered and supported adults, never satisfied to stop short of available solutions because of a band-leader only willing to play the catchy hook of a much deeper and harmonious song.

May our social values and our cultural, mediated communications be in harmony.
May the victims of violence everywhere  find love, support, resolution, closure, healing in the dawn of the new day, the dawn of a new embrace of and dedication to all that is good and correct in the human spirit.

May we find the courage to look into the mirror held up to us by the very faces and lives of the children we adults have created – our children.

Ukumbwa Sauti, Department of Mass Communication
Pierce Arrow Blogger

This entry was posted on Thursday, October 15th, 2009 at 2:42 pm

Saturday, October 13, 2012

Christian Fundamentalism and The Western

Just a standard "Saddle-Up Saturday" at insp's cable
christiancable channel.  This particular one was
Oct. 13th, 2012, complete with "High Chaparral",
"Bonanza" and "The Virginian".  That's a lot of
settler-colonial propaganda for the christian
right-eous,what with even more western
fare during the rest of the week AND plenty
more saturdays to go around.
 Whilst scanning the basic cable channels for my joyous journey in daily VHS research captures, I ambled past "insp"1, once called the Inspiration Channel if I remember correctly.  They were announcing their "Saddle Up Saturday" promotional teaser and it got my spurs a-jinglin' about the general settler-colonial love of the western movie/tv show (OK, do we really have to ruminate too deeply over that one?!) and how tremendously attractive these shows seem to be even in our highly-enlightened, "post-modern"2 society.  With all the old, but oft-repetitive shows like Bonanza, Gunsmoke, Big Valley and Bat Masterson still crappin'...um....gracin' up our screens large and small, you'd think we were still wallowing....or pillaging...in the late 1800's, clearly an idyllic time in the history of the United States of America and in the lives of the indigenous Turtle Islanders and Africans who obviously had no substantive need to be jealous of anyone's freedoms what with the USAmerica being the land of the free(dmen) and the home of the brave(s).

Thank goodness they found a european guy to give
the pre-Wolves Dancer performance of a lifetime...
yeah, the buckskinned hottie that had to play red-
(or pink-)face to be able to get all kissy-kissy with
Jane Seymour.  Ya gotta admit, it would have been
unconscionable to have Iron Eyes Cody getting busy
with Doctor Quinn.....right?  Right?!?
What really burnt my kerosene lantern wick was the lovely mixture of insp's christian fundie televangelical programming and this passel of cowboys and pseudo-Indians (oh, and a sweet variety of slavish Africanishes...gotta love their nod to cultural diversity.....heart succinctly warmed).  In my mind of minds, it was no question that there was a direct connection between the settler-colonial extinctionist/ tokenist/dismissivist western fantasies dripping with a gentle holocaust sauce and the pop-media-cultural ministrations of the religiously right christian legacy of some of television's best performers known to man-, submit-to-your-husband-woman!- and deity-kind: Morris and David Cerullo, Todd Coontz (too good to be believed...but you will - BELIEVE!), Perry Stone (check out his stage design) and Dr. Mike Murdock amongst others.

 
(swooning....just like Bonanza, Big Valley pulls no
punches about its aristocratic lead character family,
but loves to play the we-see-it-and-will-spare-no-
sappy-liberalisms-when-we-pimp-the-issue-
of-race card.  Who doesn't love a fine family of
cattle-culture-capitalists who have a heart, a semi-
spunky blonde-hottie daughter and -what the hell! -
Lee freakin' Majors?!  

 I mean it's not like there is any direct connection between christian evangelism and missiology and settler-colonial machinations like Manifest Destiny or "the Ponderosa", right?  What would bibles and crosses have to do with cowboys and Indians...or, well, a serious lack of Indians?  Yeah, that settler-colonialism thingy keeps coming to mind.  Just can't get it out of my head, that thing about genocide, holocaust, oppression, small pox blankets, scalping (no, the French supposedly "invented" that), reservations, oh, and those pesky massacres of Sand Creek and Wounded Knee.  Yeah, that stuff keeps coming to mind even though christianity and christians in general, especially the roamin catholic church, seem to want to divest themselves from the sticky annals of imperialism's history - even though the christian and more specifically the roamin catholic cartel was directly responsible for giving the Judas kiss to the Tainos and Arawaks, that whole reduce-the-pagans-to-servitude-and-take-their-lands thingy.  The Taino and Arawaks were/are native people, too.  I know it's hard to believe; they didn't ride horses or throw tomahawks and say "ugh" (unless they were being kidnapped and had to eat the lovely Nina, Pinta and Santa Maria-esque cuisine).

OK, so I'm having a hard time figuring why a guy
with a gun who has never had sex before is an
interesting premise for a western television series...
What? What do you mean?  You mean - ...
OOOOOOOOOOH, the "VirginIAN"!!!! (blush)
 So, yes, there I was thinkin' again (dang me!), wondering why insp with its decidely christian righteous programming (ya know, sometimes that word just makes TOO much sense) would just come right out in the open and admit its undying love to the Destinal Manifestations of the western genre narrative.  It's just that I've heard them try so hard, even as they dog paganism, the New Age and, generally, any indigenous cultural element or spiritual tradition to high heaven...or low hell...to divest themselves from that unseemly period of history when indigenous peoples from Turtle Island and Africa were displaced, terrorized, slaughtered, enslaved, raped, pillaged, whipped, flogged, flayed, drawn and quartered, starved, disemboweled - and other cool stuff - for the greater glory of the only settler-colonial and wonderfully patriarchal nation to have ever done it right - the good ol' U.S. of Aaaaaaaaaaaaaaay! (yeah, they play "Happy Days", too - shweet - no settler sentimentality or "greatest generation" nostalgia there.....noooooooo).

OK, not a "western", but surely western and settler-
nostalgic for sure.  Goodnight, Crazy Horse....we'll
be mining in the Black Hills and you just gotta move
that teepee....John Boy's got a date and needs to park
the ol' Model T on top of Mount Rushmore - yeah, I
know, not historically sound, but you get the point.
So maybe I really don't have to work too hard to make the point, maybe it's been made for me by the wonderful programmers at insp, the Inspiration Network.  Maybe it's already clear to everyone that watches this scintillating channel full of televangelists exhorting us to "sow our breakthrough seed" (not a request for masturbatory semen, but for money, believe it or not....though one with a critical mind might clearly think just watching insp is an exercise in screwing oneself).

OK, so we can easily make the connection between colonial oppression and christian evangelism.  Criminal Columbus put the first nail in that coffin and the roamin catholic church, John Hagee, Mitch Pacwa and a hunk o' heapin' helpin' of all the rest of the Daystar, EWTN and insp televangelists and producers are filling in the rest of the hardware.  It just needs to be said and said clearly.  The legacy of anti-indigenous, anti-Native American and anti-African settler-colonial ideology and oppression is alive and well in current christian narratives, programming and...well...programming.  Manifest Destiny never ended and the christian context is still on the hunt for previously independent souls and still deeply invested in the redux of the original imperialistic dalliance a la "a good Indian is a dead Indian" or at least a stereotypically televisual one, dominated by the idea that capitalist Europeans, in control of land and natural resources and "Other" cultures, hold the only viable context for the future.

What?!  All this late 1800's and early 1900's
programming and they call it a "new" day?!?
What the hell?!  "NEW"?!  It seems like they
want to return to say....the Victorian era...

Talk to the Lakota, the Hopi, the Maori, the Huichol, the Kogi, the Zapatistas or the San and they may tell you something completely - COMPLETELY - different.

A little too easy to say that insp is not only evidence of that "smoking gun", but they seem to broadcast those smoking guns as often as they can.  Thanks insp.  You just made it a lot easier to make a point that sorely needs to be made and understood.

OK, insult to injury, insp gets the
"seal of approval" by an
organization that says they give a hot
damn about what children
see or don't see on tv....
Settler-colonial narratives and oppression
rationalizations must be really healthy
for growing children.
1 - insp seems to have gone the way of "TLC" and "syfy" that changed their names/logos in the face of a monetary need to diversify and massify and stupidify their programming content.

2 - Once challenged to define my relationship to "post-modernism' on a scholarly level, I looked it up on wikipedia and, ok, in other resources and realized it was a fantasy, a confusion of ideas that no one could really agree on, an arrogant and adolescent projection of thought and behavior that would assume that the dominant populace was beyond the narrow-mind of colonial reality and capitalist ideological manifestations.  We aren't that advanced.  "Post-modernism" is as much a backward colonial AND modern fantasy as the western movie narrative.

Friday, July 20, 2012

Drums = Cannibals = Racist Stereotypes = Disrespect of Indigenous Peoples/Humanity

Carolyn Jones  is upstairs playing a set of bongos with her shoes (to more voluminously bother the folks on the floor below) in a hotel room.  Edward G. Robinson, downstairs, says, "What do you have up there? Cannibals?"

Gotta love "classic" films ("A Hole In The Head" with Frank Sinatra).  One must ask really why we continue to keep these insulting moments and portrayals in such rotation.

Might it have something to do with capitalism, conglomeration and the still deeply entrenched anti-cultural systems and structures of racism and colonialism?

Tuesday, June 12, 2012

AMC Original Programming - General Critique

Just an observation in the words of an incomparable philosopher and cultural critic:

"White, white, white, white,white, white, white,white, white, white, white, white!" - Kat Williams

Wednesday, June 6, 2012

Sexual Orientation - Cultural Parameter Report


(from "Cultural Bias and Prime Time Telelvision", Pg.175)

Sexual Orientation 

 1) The only remarkable presence of anyone in the LGBT community was in Will 
& Grace, which marked homosexuals, particularly gay men as a foil for ridicule and 
hyper-sexualization without giving them the respect of portrayals that showed true loving 
relationships, physical or emotional, implicit or explicit. 

The absence of portrayals of the LGBT community was troubling, but not 
surprising given the supporting research available on the invisibility of this population in 
prime time television.  Hall reported, though, on one prime time program that regularly 
raises LGBT issues in its narratives - The Simpsons, one of the longest-running prime 
time animated programs in history.  Hall asserted that The Simpsons, with its unique style 
in thumbing its nose at the status quo, brought LGBT issues into the living rooms of the 
United States of America through a number of characters and narratives, including one of 
the lead characters, Homer Simpson.  Hall claimed that Homer questioned our delineation 
of what and who is homosexual or heterosexual as Homer reportedly was “‘flattered and 
intrigued’ when he thinks his ancient and shriveled boss, Mr. Burns is making a pass at 
him...kisses his secretary Carl (voice of Harvey Fierstein) on the lips” (Hall, 1997, ¶ 12) 
and “who sighs breathlessly one day ‘Ah, Oliver North, he was just poured into that 
uniform’” (ibid).  None of the programs in this study were as brave or creative.  On the 
contrary, That 70’s Show almost ruthlessly upheld the banner of macho, heterosexism at 
every turn, punctuated by Red, frustrated, exclaiming to Fez with disdain, “You are one 
fruity kid” (Program Sample 02/#6). 

Jones, in an interview with Stephen Tropiano, author of The Prime Time Closet: 
A History of Gays and Lesbians on TV, said, “A few seasons ago you couldn’t swing a  
small yappy dog without hitting a regular or recurring gay character” (2002, ¶ 1).  The 
situation had changed drastically by the time the 2002-2003 season previews were ready 
for review.  The networks made decisions to maximize their embrace of the middle-(U.S. 
of)American suburbia in its new shows, creating “a universe that writers and producers 
aren’t so quick to put gay characters into” (Jones, 2002, ¶ 3).  Tropiano claimed, “it all 
comes down to economics.  They’re trying to boost their ratings and make money” (as 
cited in Jones, 2002, ¶ 5).  The bottom line remained that corporate conglomerates were 
making decisions that continued to segregate and balkanize audiences and prevented the 
cross-cultural, cross-sub-cultural content and meaning presentation and exchange that 
marked times of better patterns of diversity in television programming.  There were scant 
and negative portrayals of the LGBT community and its needs, realities and issues in 
prime time programming for aspirational teenage viewers to learn from or, at the very 
least, to become tolerant of. 

 An article published online by the American Family Association pointed out a 
troubling perspective on the reality of the LGBT community on television with worse 
implicit outcomes for the LGBT community in society.  Sharp, AFA Special Projects 
Director wrote that “prime-time television controls the moral climate of our nation” 
(n.d.).  Sharp went on to say the following: 
“In 1985, when gay characters in prime-time television were infrequent, only 40% of Americans felt comfortable around homosexuals. Today, that figure has risen to 60% and by all indications, Hollywood wants those numbers to increase. The most influential market for promoting the homosexual agenda is clearlytelevision. Between 1989 and 1999, references to homosexuality during prime-time television increased an amazing 2,650%!” (n.d.)
Sharp’s assertions, though unsupported by research in the document raised a few 
essential concerns pursuant to this study’s findings.  First, research supports that gay and 
lesbian characters were quite prevalent in the 80’s (Sender, 1998), though the depth of 
their characters may not have been equal to some that showed up in cable productions, in 
particular The L Word, seen on Showtime.  Second, Hollywood, if the term can be used to represent television programmers, was more than happy to exclude any substantive 
presence of LGBT sub-culture in prime time broadcast television, at least in the recent 
past, with regard to this study’s findings.  Third, it was not known if Sharp codified all 
references to homosexuality, positive and negative, which would have inflated the 
quantitative results, but decreased the qualitative result of his assertion that Hollywood 
was indeed supportive of a ‘gay America’.  Fourth, Sharp insinuated some collusion with 
the “recruitment” theorists who believed heterosexuals could be ‘convinced’ to become 
homosexual through nurture methods as the corollary, nature, might have been 
unthinkable.  Fifth, any reputable writer with the audacity to report a number as high as 
2,650% (complete with exclamation point) should have been willing to cite the source of 
their mathematics.  Sixth, this researcher agreed with Sharp in the implied statement that 
the new LGBT-focused cable channel, Logo (Viacom), might not be a good thing in 
general.  It will be a definite and positive addition to the LGBT community as long as 
Viacom allows the narratives to be created by LGBT writers and producers so as to 
sustain realistic portrayals and decrease the negativities of stereotypes.  That said, if 
current trends of segregated viewing continue, the larger society’s ability to learn from 
the LGBT community’s narratives and stories will be gravely curtailed.   

Huntemann and Morgan asserted: 
 “Few groups in society experience such strong tensions over sexuality as gay and lesbian teens do.  In a cultural climate that is still largely hostile to homosexuality, the paucity of positive role models in the media is disturbing.”  (2001, p. 315) 
Past representations of gay, lesbian and bisexual characters could be seen in programs such as Roseanne, Golden Girls, Picket Fences and Soap (Sender, 1998).

These prime time portrayals have been few and far between since, with bright spots and 
dim dispersed throughout.  The children polled in the Children Now study said it was 
important to see images of people who look like them on television (1998).  The lesbian, 
gay, bisexual and transgender teenagers, no less aspirational in their viewing behaviors, 
no less important in their need for personal self-esteem and social validation, might have 
also thought it was important to see images of people that looked, lived and loved like 
them on television. 

Age - Cultural Parameter Report


(from "Cultural Bias In Prime Time Television", Pg.178)  

Age 

 1) Younger characters showed great momentary implicit and direct authority over 
older characters, usually at the expense of Culture/National Origin/Race dynamic.   
a) Detective Morris (African-American) raises voice disrespectfully to his wife (African-American) in defense of younger (White) Halliwell sisters.
b) Young female (White) character in Smallville disrespectfully addresses older male (African-American) in order to distract him and allow friends
to breach a roadblock.
c) Teenagers in That 70’s Show vandalize the home of their British high school music teacher.

 2) Teens showed some semblance of respect to elders in a small number of 
programs, partly due to the lack of teen focus and main and/or recurring characters in five of the programs.  A teen character, Keiko, was verbally disciplined by her mother, 
essentially validating Keiko’s ability to persevere in the face of adversity in Gilmore 
Girls (Program Sample 05/#5).  In the same episode, Rory cried on her grandfather’s 
shoulder for support after she found herself in a challenging personal relationship.  Rory 
was generally close to her mother throughout the program samples.  Clark, in Smallville
sought the council of his mother and father with challenging social situations at school.  
7th Heaven displayed the highest quality of teen-parent respect, with a high degree of 
respect and love being placed with the children, in the Camden family and out. 
Mediascope reported, “7th Heaven, Gilmore Girls, and Smallville all provide models of 
warm parent-teen relationships” (2004, p. 128), but also stated, “the parent-teen 
relationships on That 70’s Show are also extremely close” (ibid).  Mediascope’s analysis 
in this area with regard to That 70’s Show conflicted sharply with the findings of this 
study. 

 3) Elderly people were rarely present and were never featured as main characters, 
indispensable to the storyline or with any substantial level of authority with regard to 
younger characters or peers.  

 Johnston stated, with regard to the elderly: 

 “This affluent segment of society may not switch brands as often as the young
 folks, but they are an empowered group of people who learned the ways of the
world by crusading for the Civil Rights movement, stopping the war in Vietnam,
 inaugurating the movement for women’s equality and initiating the environmental
 protection movement.” (2002, p. 71). 


The elderly had valuable experience to share with teen viewers looking for guidance and 
cues for how to manage life in a modern world; who better but the people who created 
the world teens lived in.  The reality of prime time television was less than welcoming to 
this marginalized segment of society.  “The elderly also are used as symbols of death and 
decay, a topic that often frightens people” (Johnston, 2002, p. 71).  Johnston described 
the prevailing stereotypes of elderly people that included the ornery, crotchety elder, the 
“doddering, old senile fool” and the eccentric and incompetent characters (ibid).  
Johnston stated, conversely, that too often many older men, usually white men, on news 
and talk shows...are portrayed as experienced, wise and trustworthy” (ibid).  Johnston 
punctuated his discussion of elders in television and stated, “The elderly have a wealth of 
stories, both entertaining and informative, to share with the society.  What do we gain by 
screening this out and making them just a bit less than eligible for human equality?” 
(2002, p. 73). 

 4) Teenagers were featured in only half of the program samples and comprised 
dominant numbers of in the cast in only three of those.  They were more likely to be cast 
in sexual situations than any other relational dynamic.  Secondarily, they showed great 
concern for their own or other peers’ looks and physical attributes and/or social standing 
(i.e., popularity, notoriety), especially in That 70’s Show and Smallville7th Heaven 
showed much more depth in issues embraced by teen characters and portrayed in a much 
more realistic fashion, without the sensationalism of Smallville and That 70’s Show

Two popular past teen shows were California Dreams (1992) and Saved By The 
Bell (1989).  They reached near cult status with good-looking ensemble casts, fun teen 
storylines and safe subject matter.  Saved By The Bell spun-off two other shows entitled 
Saved By The Bell: The College Years and Saved By The Bell: Then New Class (Saved 
By The Bell, n.d.).  Both shows were set in California and featured stereotypically sunny 
weather, bikinis when possible and as much pop music as could be generated.  California 
Dreams revolved around a band of the same name populated by the lead characters, in 
which most of the characters sang their own songs (California Dreams, n.d.).  Saved By 
The Bell revolved around the relationships of its main characters that included a 
stereotypical dork character named Screech that survived all three versions of the show.   
Both of these shows were more fluff than serious studies in teen life and challenges.  This was best typified by the show theme songs. 
   
The following are partial lyrics in the Saved By The Bell theme:
 If the teacher pops a test
  I know I'm in a mess
  And my dog ate all my homework last nite
  Riding low in my chair
  She won't know that I'm there
  If I can hand it in tomorrow, it'll be all right
  It's alright 'cause I'm saved by the bell (Saved By The Bell, n.d.) 

 The following are partial lyrics in the California Dreams theme:
 Surf dudes with attitudes (Kinda groovy)
  Laid back moods
  Sky above, sand below (Good vibrations)
  Feelin' mellow
 Won't give it up
  Don't wanna stop
 Don't wake me up
  Don't wake me up if I'm dreamin'
  California dreams
  Just let me lay here in the sun
  Until my dream is done (California Dreams, n.d.) 

Both theme songs gave a look into the stated purposes of both shows.  No viewer was 
challenged by any of the storylines.  The messages were ‘take it easy’, ‘go with the flow’ 
and ‘don’t dare ask me to do anything that I don’t want to do, especially anything 
academic or that requires initiative’; in other words, ‘leave me alone and let me be - a 
stereotypical television-watching teen’.  In actuality, the teens on these two shows were 
somewhat ambitious, at least where cutting class and getting the best of adults was 
concerned.  The California Dreams characters were always hard at work practicing and 
getting gigs at squeaky-clean burger joints.  The process message remained the same with 
regard to the viewer:  We’ll entertain you and you won’t learn anything positive. 

These presentations almost guaranteed a validation of a culture of consumption.  
Even the stereotypical nostalgia-heavy Happy Days was reportedly more valuable than 
this type of approach to teen television or, at least, television with teen characters.  
Desmond reported that after an episode featuring Fonzie, a lead popular character, 
making a trip to a library, “a sudden increase in library card applications followed” 
(2001, p. 41).  Happy Days, though, was as safe as Saved By The Bell and California 
Dreams.  The Happy Days cast wasn’t challenging or gritty, lacking the “edgy” nature of 
today’s teen television.  Bogle reported that their “exploits were puerile enough not to be 
offensive” (2001, p. 218).  Shows like Leave It To Beaver were sterile constructions of 
the stereotypical, faultless White nuclear family.  “The Beave’” got into trouble on a 
regular basis, but was never used as a foil to attack the typical presence of sexism, 
classism or racism inherent in the United States of America in the 1950’s.  This was a 
time of struggle for many citizens and television was not addressing the realities that 
many people lived with, nor that plagued the country as a whole.   Teens were 
stereotyped for the benefit of the advertiser, to keep up appearances for the sake of the 
polite company of the general viewing audience.  The late sixties brought a shift in the 
form of The Mod Squad (1968-1973) that “reached young viewers by touching on the 
new social/political landscape” (Bogle, 2001, p. 156).  The three lead characters had all 
fallen into trouble with the law and were recruited to work undercover for the Los 
Angeles Police Department.  “Their assignment:  to weed out criminals preying on the 
young of America” (Bogle, 2001, p. 157).  The Mod Squad presented a new configuration 
of characters for young United States of America: an African-American man (Clarence 
Williams III), a White woman (Peggy Lipton) and a White man (Michael Cole), 
providing “a mix of action adventure and liberal politics” (Bogle, 2001, p. 157).  Bogle 
went on to say: 

“Young audiences liked the idea of seeing young rebellious edgy heroes, arguing with one another, questioning each other’s motives, and usually fighting for the underdogs.  The producers also shrewdly decided early on no to bite the hand that  fed them: the series could not offend the delicate sensibilities of its young audience.” (2001, p. 157) 

The “edge” was officially introduced into the televisual mix, though, as Bogle went on to 
say, “Despite its counterculture appearance, The Mod Squad was still a cop show” (2001, 
p. 157).  Other shows in the 70’s, like Laverne & Shirley, The Brady Bunch, The Waltons and even Welcome Back Kotter, betrayed that new edge.  All In The Family, which featured younger characters Michael Stivic and Gloria Bunker, retained the social 
edginess in grand style, much to the chagrin of many and the joy of many more (Dates & 
Barlow, 1990). 

 The 1980’s brought shows like Head of the Class, Webster, Small Wonder
Family Ties and the teen favorite, Facts of Life, all featuring young, teenage characters or 
casts, mostly clean-cut shows, but with more of the heart that would typify later 
renditions of teen and youth oriented television.  The 1990’s presented shows as 
seemingly polarized as Full House and Married...With Children, both shows that 
   
revolved around the household and the comings and goings of the warm and the loving or the cold and the belligerent, depending upon which show you were watching.  Neither 
show provided any refreshing or deep insights into the human condition, though Marcy 
D’Arcy was the lone lesbian in Married...With Children’s suburban Chicago world. 

The expanse of television shows featuring teenagers and popular with teenagers 
are telling in their social depth and breadth.  There were not many like The Mod Squad or New York Undercover (featuring African-American and Latino lead actors Malik Yoba 
and Michael DeLorenzo), popular for gritty portrayals and situations, again both police 
shows.  The “edgy” quality of the current program sample belied its lack of embrace of 
serious socio-political underpinnings.  The aspirational teenagers had little to learn from 
depictions of themselves and lacked any regular presence of eldership in the narratives 
for perspective.  The contradiction of the edgy, but shallow cultural presentations was 
typified in the lines of the theme song to the popular show Diff’rent Strokes

Everybody's got a special kind of story
Everybody finds a way to shine,
It don't matter that you got not alot
So what,
They'll have theirs, and you'll have yours, and I'll have mine.
And together we'll be fine....
Because it takes, Diff'rent Strokes to move the world.
Yes it does.  (Classic TV Theme Songs, n.d.) 

There were problems in the world, but they were of no real, practical concern.  It didn’t 
matter that there was socio-cultural inequity in the world.  This was the world of 
advertiser-driven television.  Serious cultural issues were not going to be addressed, 
especially with aspirational teenagers.  Corporate media conglomeration made sure of 
that.  Yes it did.